Daniel Day-Lewis Expresses Frustration Over The Method Approach Being Compared to ‘Behaving Like a Lunatic’ – Which Is Exactly Why It Captivates Us
It has been quite some time since anyone caught a glimpse of Daniel Day-Lewis. After he statement in 2017 declaring he would cease to pursue acting, prior to the debut of Phantom Thread, the actor quietly faded from view. However, during his hiatus, his legend has only grown.
The Mythos of His Acting Method
Largely, this legend revolves around his favored style of working. As someone who famously disappears into the roles he plays – for instance, while filming the Lincoln biopic, reportedly asked the director call him “Mr. President” throughout the shoot – audiences has grown more fascinated with how he works. Did he really send texts to Sally Field as Abraham Lincoln? Was it accurate that he only eat game he hunted for Last of the Mohicans? And did he insist on being spoon-fed for My Left Foot?
Extreme acting methods: have we fallen out of love with actorly excess?
Currently, Daniel Day-Lewis is back to public attention, with some hesitation, promoting his latest movie Anemone. He is taking this chance to vocalise his frustration at how the Method technique is perceived. “I’m a little cross these days when I hear all kinds of people talking carelessly and using phrases like ‘fully embraced the Method’, which seems is meant to imply that a person’s behaving like a lunatic in a drastic way,” he told the New York Times. “Everyone tends to focus on the less important aspects of acting, and these elements always seem to involve some form of self-flagellation or a situation that causes a severe discomfort or mental instability. But of course, in the career of an actor, it must mainly focus on the inner transformation.”
A World Full of Followers
To be honest, it appears like the actor has come out from his retreat and found himself aghast at the world that has developed mirroring his methods. If you’re widely considered among the best actors in history, and your process includes striking a prop to the point of injury (in Gangs of New York) or enduring two days in solitary confinement deprived of sustenance (during In the Name of the Father), it’s natural that fellow performers will attempt to emulate that example by imitating their idol.
Essentially, we exist in a landscape populated by half-cocked imitators of Day-Lewis who strive only to demonstrate the extensive degree of dedication they invest in a character. On the milder side of the pool there are performers such as Lady Gaga, who was so desperate to win an Oscar with House of Gucci that she dedicated the entire promotion attempting to persuade people that she became functionally Italian over 18 months as preparation.
Then we have Jared Leto, who decided to deeply embed himself in the character of the Joker (in Suicide Squad) by sending “disturbing” gifts to fellow cast members. These items, according to various accounts, range from dead pigs and rats to anal beads and personal hygiene products, although Leto denied those worst excesses. Then, of course, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that filmmakers succeeded to get a full-length documentary from behind-the-scenes footage of him making life to the utmost for everyone around him.
The Modern Method Practitioners
The foremost Method Guy currently would appear to be Jeremy Strong (once Day-Lewis’s assistant), whose approach during Succession was so laboriously intensive that it formed the subject of a critical magazine feature, including statements from people who were either concerned for his behaviour (“It’s the cost on himself that worries me,” remarked co-star Brian Cox) or extremely irritated by it (“I recall [him] making others roll their eyes,” said an anonymous cast member).
Daniel Day-Lewis says he ‘did not plan to stop acting, really’
There are numerous additional cases. Andrew Garfield abstained from sex over half a year while preparing for Silence. Leonardo DiCaprio slept in a dead animal during The Revenant. There’s a fighting chance that Austin Butler continues to talk in the style of Elvis, three years after the movie’s release. All of this, in part, is meant to invoke the dedication with which Day-Lewis approaches his work.
A Noble But Uphill Battle
Moreover, while his fightback to critics of the Method could be commendable, a short publicity tour may prove insufficient to alter perceptions, not to mention their behaviour. Perhaps if he wishes to remind people the true essence of the Method, or to demonstrate what it can achieve, then the optimal strategy for Day-Lewis is to just start making additional movies. Certainly we could all support that idea.